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POUSSIN, Nicolas
Helios and Phaeton with Saturn and the Four Seasons sf
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ID: 08635
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POUSSIN, Nicolas
French Baroque Era Painter, 1594-1665
French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response, Related Paintings of POUSSIN, Nicolas :. | Landscape with St Matthew and the Angel sg | Venus Presenting Arms to Aeneas f | Helios and Phaeton with Saturn and the Four Seasons sf | Landscape with Saint Matthew and the Angel | Adoration of the Magi sgf | Related Artists: Victor DeGraillypainted Passamaquoddy Bay, Maine in c1840
Nash, PaulEnglish, 1889-1946
Painter, printmaker, designer, writer and photographer. Although he briefly attended the Slade School, London, in 1910, he was essentially self-taught. His first one-man show was held in 1912 at the Carfax Gallery, London, where he showed a set of shadowy landscapes and imaginative drawings that look back to the Pre-Raphaelites and late 19th-century illustration. Between 1910 and 1914 he paid little attention to Post-Impressionism and the modern movements in London. Albertus Del Orient BrowereAmerican, 1814-1887
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